General

Motion Picture Editor & occasional Sound Designer: 1992-present.

IATSE 891 Permittee as both Film/Video Picture Editor and 2^nd Assistant Picture Editor.

 

Fluent with Adobe Premiere and Avid Media Composer.

Experienced with Final Cut Pro, Photoshop & Media Encoder; familiar with DaVinci Resolve, Keyboard Maestro, Unix scripting, and a long list of legacy software, e.g. D/Vision & Media 100.

Well-versed in a variety of formats and workflows Ð 4K+, HD, SD, R3D, Phantom, film.

 

Awards

Leo Award, Short Documentary: Best Sound (Sound Design), Go Fish, 2024

Gold Eddie, (Canada-China Film Festival), Best Film Editing, Koneline, 2017

Leo Award, Feature Drama: Best Picture Editing, Eve & the Fire Horse, 2006

Leo Award, Documentary: Best Picture Editing, Island of Shadows, 2001

Nominated for 7 other awards for Best Editing or Sound Design, 2003-2024
(Leos, Geminis, Canadian Cinema Editors & Canadian Screen Awards.)

 

Selected Credits

 

 

Editor & Tech support, Moving Pictures (video loops, gallery installation, 4K)	2024/8/6 Ð 2024/8/19
Producer & Director: Nettie Wild	Adobe Premiere
	Days worked: 8

 

Editor, Klavierklang (14.5Õ; experimental-music performance; 4K)	2021/10/10 Ð 2024/7/5
Producers: Hildegard Westerkamp & Rachel Kiyo Iwaasa	Adobe Premiere
Director: Nettie Wild	Days worked: 89

 

Editor & Sound Designer, Whales Forever (8Õ, documentary profile; HD)	2023/8/8 Ð 2024/5/7
Producer: Naomi Fleschhut, The Jellyfish Project	Adobe Premiere
	Days worked: 17

 

Additional Editing, 500 Days in the Wild (124Õ, veritŽ documentary; 4K)	2023/4/27 Ð 2023/7/24
Producer: Betsy Carson	Adobe Premiere
Director: Dianne Whelan.Ê Lead editor: Tanya Maryniak	Days worked: 26

á       Grand Prize Winner, Vancouver International Mountain Film Festival, 2024

á       Audience Choice Awards at:ÊÊÊ

o   Victoria Film Festival, 2024 (Canada)

o   Salt Spring Film Festival, 2024 (Canada)

o   Whistler Film Festival, 2023 (Canada)

á       5 Leo Awards nominations, 2024, including Best Feature Length Documentary.

á       https://500daysinthewild.com/

 

Editor & Sound Designer, Go Fish (14Õ, 3-channel gallery installation, experimental documentary; HDx3)	2019/3/15 Ð 2023/5/12
Producers & Directors: Scott Smith & Nettie Wild	Adobe Premiere
	Days worked: 163

á       Leo Award winner, 2024, Short Documentary: Best Sound (Sound Design).

á       Leo Award nomination, 2024, Short Documentary: Best Picture Editing.

á       Notable exhibitions: National Gallery of Canada, Ottawa, 2023-2024; Aga Khan Museum, Nuit Blanche, Toronto, 2023.Ê First installation: Comox Valley Art Gallery, April 12, 2023

á       https://www.swimwithgofish.com/

 

 

Editor & Co-Creator, UNINTERRUPTED VR Ê(30Õ mobile VR experience)	2022/4/24 Ð 2022/3/11
Producers: Betsy Carson, Rae Hull, Nettie Wild	Premiere, Unity
Director: Nettie Wild	Days worked: 89

á   Expanded VR version of our outdoor projection spectacle from 2017, exhibited in multiple locations throughout the Lower Mainland for groups of 30 during the Summer of 2021

á   I acted principally as a creative consultant, with some editing to expand & refine the content.

á   https://uninterrupted.ca

 

 

Editor & Sound Design, Roundup (3.5Õ experimental documentary; HD)	2020/3/18 Ð 2020/10/27
Producer: Nicholas Klassen, NFB	Adobe Premiere
Director: Nettie Wild.Ê Sound Designed with Nancy Tam.	Days worked: 21

á       Golden Sheaf Award nomination, 2021: Best Experimental Documentary, Yorkton Film Festival

á       stream: https://www.nfb.ca/film/roundup/

 

Lead Editor, First We Eat (103Õ veritŽ documentary; HD)	2019/6/27 Ð 2020/8/6
Producer & Director: Suzanne Crocker	Adobe Premiere
Edited with Caroline Christie & Astrid Schau-Larsen	Days worked: 158

á       Canadian Cinema Editors nomination, 2021: ÊBest Editing in Documentary Feature

á       Rogers Audience Award, Hot Docs, 2020

á       Best of Future Watch, Doc Edge New Zealand, 2020

á       7 Audience Choice Awards, various festivals, 2021-2023

á       https://firstweeat.ca/

 

Editor, Dance Screen (13Õ performance/documentary; 4K)	2019/6/10 Ð 2019/08/19
Producer & Director: Helen Haig-Brown	Adobe Premiere
	Days worked: 17

á       Rough-cut editor for selected scenes.

 

 

Additional Editing, The New Corporation: The Unfortunately Necessary Sequel (105Õ documentary; 4K)	2018/1/9 Ð 2018/10/11
Producers: Betsy Carson, Trish Dolman	Adobe Premiere
Directors: Jennifer Abbott, Joel Bakan	Days worked: 105

á       Involved in workflow design, assembly, and early rough-cut.

á       https://thenewcorporation.movie/

 

 

Fine-Cut Editor, Facing Sunrise (9Õ sponsored documentary; 4K)	2017/11/23 Ð 2017/12/4
Producer: Yves J. Ma, MEC	Adobe Premiere
Director: Julia Kwan	Days worked: 15

á       Best Short Mountain Film, Banff Mountain Film Festival, 2018

á       stream: https://www.youtube.com/watch?v=iJc3ZNLHl80

 

Editor, UNINTERRUPTED (30Õ x 8 projector installation, 8K)	2016/5/16 Ð 2017/9/25
Producers: Betsy Carson, Canada Wild, Rae Hull	Adobe Premiere
Director: Nettie Wild	Days worked: 289

á   Very large-scale, immersive outdoor projection on the undercarriage of VancouverÕs Cambie Street bridge, shows running 5 nights a week from June 24 Ð Sept 24, 2017

á   Gold DSE Apex Award, Best Projection in a Public Space, 2018

á   Bronze DSE Apex Award, Best Projection in an Immersive Space, 2018

á   CSC Experimental/Unique Cinematography Award, 2018

á   https://www.canadawildproductions.com/transmedia/uninterrupted/

 

 

Editor, Koneline: Our Land Beautiful (96Õ veritŽ documentary; HD)	2014/5/6 Ð 2016/1/4
Producer: Betsy Carson, Canada Wild	Avid Media Composer
Director: Nettie Wild	Days worked: 335

á       Gold Eddie, (Canada-China Film Festival), Best Film Editing, 2017

á       Canadian Screen Award nomination 2017: Best Editing in a Feature Documentary

á       Best Canadian Feature, Hot Docs, 2016

á       Best Canadian Documentary, Available Light Film Fest, 2016

á       Audience Choice for Best Canadian Documentary, ALFF 2016

á       CSC Robert Brooks Award for Best Cinematography, 2016

á       https://www.canadawildproductions.com/film/koneline/

 

 

 

Editor, Everything Will Be (85Õ veritŽ documentary; HD)	2011/11/30 Ð 2013/8/1
Producer: David Christensen, NFB	Avid Media Composer
Director: Julia Kwan	Days worked: 252

á       Meilleur Espoir (New Talent) award at the Montreal International Documentary Festival (RIDM)

á       Honourable Mention, Best BC Film Award, Vancouver International Film Festival, 2014

á       https://www.nfb.ca/film/everything_will_be/

 

 

Editor & Sound Design, Uninterrupted (14Õ multi-screen installation; HD)	2011/11/18 Ð 2012/9/26
Producer: Tracey Friesen, NFB	Avid Media Composer
Director: Nettie Wild	Days worked: 26

á       5-screen site-specific installation: 5 HD channels projected in the windows of the Vancity Theatre, Vancouver International Film Festival, Sept 27 Ð Oct 12, 2012

á       Exploratory version of a longer project

á   ÊÊÊLeo Award nominations, 2013: Best Cinematography, Best Overall Sound (Sound Design).

á   ÊÊÊStream: https://www.nfb.ca/film/uninterrupted/

 

Editor & Additional Sound Design, Deepa Mehta In Profile (6.5Õ profile; HD)	2012/3/7 Ð 2012/3/30
Producer: Yves Ma, NFB	Avid Media Composer
Director: Nettie Wild	Days worked: 18

á   Produced for the Governor GeneralÕs Award Ceremonies, 2012.

á   Leo Award nomination, 2013: Best Short Documentary Program.

á   Stream: https://www.nfb.ca/film/deepa_mehta_in_profile/

 

 

Editor, The Old Woman in the Woods (25Õ; drama; HD)ÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊÊ	2011/6/22 Ð 2011/9/25
Producer: Diana Wilson	Avid Media Composer
Director: Caroline Coutts	Days worked: 35

á     7 Leo Award nominations, 2013: Best Short Drama, Direction, Female Performance, Screenwriting, Sound Editing, Musical Score, Production Design.

á     Golden Sheaf Award nomination, Drama Ð Yorkton Film Festival, 2013.

á     Silver Remi Award Ð 46^th WorldFest-Houston, Dramatic Ð Adaptation / Independent Shorts.

á     http://www.kypufilms.com

 

 

Editor, Bone Wind Fire (30Õ art-historical documentary; RED/HD)	2010/11/15 Ð 2011/6/26
Producer: Yves Ma, NFB	Avid Media Composer
Director: Jill Sharpe	Days worked: 125

á       Best Historical Documentary, Northwest Emmy Nomination, 2014

á       Best Short Documentary, Santa Fe Independent Film Festival, 2012

á       Best Documentary Short, Sonoma International Film Festival, 2012

á       Best Canadian Film, FIFA / International Festival of Films on Art, Montreal, 2012

á       Leo Award winner, 2012: Best Overall Sound

á       Other Leo nominations, 2012: ÊBest Short Documentary, Screenwriting.

á       Notable screenings, 2012: Lincoln Centre, New York; Georgia OÕKeeffe Museum, New Mexico.

á       Stream: https://www.nfb.ca/film/bone_wind_fire/

 

 

Editor, Global Mafia; Israel/Gaza (15Ó and 60Ó spots; subvertising; HD)	2010/10/25 Ð 2010/10/28
Producer: Adbusters	Avid Media Composer, Adobe After Effects
Creative Director: Kalle Lasn	Days worked: 3

 

Editor, A Cup of Wine (6.5Õ; dance; 35mm & Genesis HD)	2010/07/20 Ð 2010/09/01
Production Company: Rhodopsin Productions	Avid Media Composer
Director: Daniel Conrad	Days worked: 21

 

Editor & Co-Director, The Edge of the World: BCÕs Early Years (55Õ; historical/20 interstitials; DigiBeta)	2009/06/03 Ð 2010/03/09
Producer: Red Storm Productions	Avid Media Composer, Adobe After Effects
Director: Erik Paulsson	Days worked: 169

á     Premiere, Knowledge Network, Aug 2010.

á     Stream: https://www.youtube.com/watch?v=_mco6Z-6xCk

 

 

Editor & Post-super, The Rushing of Time (2.5Õ; dance; 35mm & XDcam)	2009/11/02 Ð 2009/11/18
Production Company: Rhodopsin Productions	Avid Media Composer
Director: Daniel Conrad	Days worked: 6

á     Produced for the Cultural Olympiad Digital Edition

 

Editor, In Chinatown (7Õ experimental/historical documentary; R3D/HD)	2008/10/22 Ð 2009/01/23
Producer: Rina Fraticelli	Avid Media Composer
Director: David McIlwraith	Days worked: 27

 

Editor & Motion Graphics, Reed (95Õ; biography; 35 mm & DV)	2001/03/18 - 2009/01/25
Production Company: Roy Kiyooka Inc.	Avid Media Composer,Ê Xpress, Adobe After Effects
Director: Fumiko KiyookaÊ		Days worked: 180

á     This was a 95Õ reworking of a 45Õ piece.Ê Edited with Fumiko Kiyooka, et al.

 

 

Editor, Carts of Darkness (63Õ; profile/extreme sports; HD)	2007/06/12 Ð 2008/01/9
Producer: Tracey Friesen, NFB	Final Cut Pro
Director: Murray SipleÊ	Days worked: 153

á     Gemini Award nomination for Best Documentary Picture Editing, 2009.

á     Leo Award winner 2009: Best Documentary (Nature/Environment/Adventure category)

á     Leo Award nomination 2009: Best Documentary Picture Editing

á     Other Leo nominations: Direction, Cinematography, Overall Sound, Sound Editing.

á     One of the top 3 downloads at NFB.ca for several years after release.

á     Stream: http://www.nfb.ca/film/carts_of_darkness/

 

Post-production Supervisor, Aboard the Pater Noster Ê (16Õ & 24Õ versions; dance; 35mm)	2007/12/08 - 2008/01/29
Production Company: Rhodopsin Productions	Avid Xpress Pro
Director: Daniel Conrad	Days worked: 5

 

 

Editor, Smile (17Õ; drama; super-16)	2007/04/01 Ð 2007/04/18
Production Company: Fire Horse Productions & Firelight CineMa	Avid Xpress Pro
Director: Julia Kwan	Days worked: 15

á     Sundance Film Festival, 2008.

á     Premiere, Toronto International Film Festival, 2007.

á     2 Leo Award nominations, 2008: ÊBest Female Performance x2.

 

Editor, Bevel Up (45Õ veritŽ documentary, 3.5 hour educational DVD)	2006/06/12 Ð 2007/02/12
Production Company: Canada Wild Productions	Avid Xpress Pro
Director: Nettie WildÊ	Days worked: 125

á     Prism Award (US), best original DVD

á     Media Award, American Academy of Nursing

á     BC Provincial Health OfficerÕs Award for Excellence in Public Health

á     Premiere, Hot Docs (Toronto), 2008.

á     https://www.canadawildproductions.com/film/bevel-up/

á     https://www.nfb.ca/film/bevel_up_drugs_users_and_outreach_nursing/

 

 

Editor, Afternoon of the Chimeras (16Õ & 24Õ versions; dance; 35mm)	2005/09/19 - 2005/10/21
Production Company: Rhodopsin Productions	Avid Film Composer
Director: Daniel Conrad	Days worked: 23

 

 

 

Editor, Symphony of Silence (22Õ; profile/arts; DV)	2005/05/09 Ð 2005/07/05
Production Company: Firelight CineMa	Avid Media Composer
Director: William EatonÊ	Days worked: 40

á      2 Leo Award nominations, 2006: Best Documentary, Best Sound Editing, Arts/Performing Arts.

á      Golden Sheaf Award nomination: Documentary Short Subject, Yorkton, 2006.

á      National Broadcast Premiere on CBC, July 17, 2005.

 

 

Editor, Eve and the Fire Horse (92Õ; feature drama; 35mm from super-16)	2004/07/27 Ð 2004/11/24
Production Company: Golden Horse Productions	Avid Media Composer
Director: Julia Kwan	Days worked: 75

á     Special Jury Award, Sundance Film Festival, World Cinema dramatic competition, 2006.

á     Claude Jutra Award, 2007 for director Julia Kwan.

á     5 Genie nominations, 2007: Supporting Actor, Supporting Actress, Production Design, Costume Design, Overall Sound.

á     Leo Award winner, 2006, Feature Drama: Best Picture Editing

á     Leo Award winner, 2006: ÊDirection, Screenwriting, Sound Editing, Production Design.

á     Leo Award nominations, 2006: Female Supporting Performance, Overall Sound.

á     Audience award for Most Popular Canadian Feature Film, Vancouver IntÕl Film Festival, 2005.

á     Best Canadian Film & Most Popular Canadian Film, Calgary Film Festival, 2005ÊÊÊ

á     http://www.mongrelmedia.com/index.php/filmlink?id=59b8d559-6c39-48b3-8d75-945b7e6c4e27

 

Editor, Alienated II (half-hour series; sci-fi comedy; Digital Betacam)	2003/09/17 - 2004/05/11
Production Company: Brightlight Pictures	Avid Media Composer
Writer/Director/Producer: Mark Sawers	Days worked: 149

á    Production editor - first cut of all 11 episodes for season 2.Ê

á    Sole editor for episodes 201-205 & 209.

á    Episode 210 edited with Gareth Scales.Ê Episode 211 edited with Luis Lam.

á    Broadcast on Space: the Imagination Station, and the New VI.

á    https://www.brightlightpictures.com/project/alienated

 

 

Editor, On the Corner (90Õ; feature drama; 35mm from Digi-Betacam)	2002/10/16 - 2003/02/28
Production Company: On the Corner Productions	Avid Media Composer
Director: Nathaniel Geary	Days worked: 86

á    6 Leo Award nominations, 2004: Screenwriting, Cinematography, Male Supporting Actor, Female Supporting Actor, Sound Editing, Production Design.

á    Premiere at Toronto International Film Festival, 2003.

á    Included in CanadaÕs Top Ten for 2003.

á    Best Western Canada Feature Film, Vancouver International Film Festival, 2003

á    2004 festival awards: Mannheim-Heidelberg, Germany (Special Jury Prize); Cinema Jove Ð Valencia, Spain (Golden Moon); Bogota, Columbia (Bronze Pre-Columbian Circle)

Editor, Web of Dissent (5Õ; promo for 1 hr doc; social justice; DV)	2003/06/10 - 2003/06/30
Production Company: Red Storm Productions	Final Cut Pro
Director: Bruce Spangler	Days worked: 8

 

 

Editor, 6 Possibilities (12Õ & 24Õ versions; dance; 35mm)	2002/08/29 - 2002/10/15
Production Company: Rhodopsin Productions	Avid Film Composer
Director: Daniel Conrad	Days worked: 34

á    National Broadcast Premiere on CBC, Opening Night, Jan 16, 2003.

ÊÊÊÊÊÊÊÊ

Editor & Motion Graphics, Avalon (5Õ; Music Video; 16mm)	2002/07/22 - 2002/08/03
Production Company: Red Storm Productions	Media Composer, After Effects
Director: Bruce Spangler.Ê Artist: Lori Pappajohn.	Days worked: 15

á    National Broadcast on Bravo, 2002.

 

Editor, Vannica (18Õ; drama; super-16)	2001/07/12 - 2002/02/26
Production Company: Rendez-vous Films	Avid Film Composer
Director: Steve Rosenberg	Days worked: 13

á    Festival Screenings: Palm Springs, 2002.

á    http://www.steverosenberg.ca/?p=50

 

 

Rough Cut Editor, Access Challenge (58Õ; DV & beta-SP)	2001/10/15 - 2001/12/10
Production Company: Fountain Productions	Final Cut Pro
Producer: Mehdi Ali.Ê Rough cut edited with David Ozier.	Days worked: 44

á    Silver Hugo, Social Issues & Human Relations, Chicago International Film Festival, 2002.

 

Editor, The Telescope (22Õ; drama; 35mm, 16mm & super-8)	2001/06/28 - 2001/09/30
Producer: Andrea Bastin	Avid Film Composer
Director: Jessica Bradford	Days worked: 17

á    Leo Award nomination, 2003, Short Drama: Best Picture Editing

á    Other Leo Award nominations, 2003: Overall Sound, Production Design, Female Performance

 

Editor, Subways (12Õ & 24Õ versions; dance; 35mm & DV)	2001/08/02 - 2001/08/20
Production Company: Rhodopsin Productions	Avid Film Composer
Director: Daniel Conrad.Ê Edited with Manfred Becker.	Days worked: 21

á    National Broadcast Premiere on CBC, Opening Night, 2002.

á    Dagmar & Vaclav Havel Prize,Ê Golden Prague Film Festival, 2002

 

 

Editor, Island of Shadows: DÕArcy Island Leper Colony, 1891-1924 (48Õ; historical; 16 mm & DV)	1999/10/19 - 2000/03/06
Production Company: Red Storm Productions	Avid Media Composer
Director: Erik Paulsson	Days worked: 77

á    Leo Award winner for Documentary, 2001: Best Picture Editing, Best Director, Best Overall Sound.

á    Additional duties: Special effects shots, motion control shots, main title design w/Adobe After Effects.

á    National Broadcast Premiere on Vision, May 17, 2000.

á    National Broadcast on CTV, July 18, 2000.

 

Editor, Protection (80Õ; feature drama; 35mm from 16mm)	1999/05/27 - 2000/06/19
Production Company: Thoughtcrime Productions & Red Storm Productions	Avid Film Composer
Director: Bruce Spangler.Ê Co-edited with Luis Lam.Ê	Days worked: 83

á    Genie Award nomination, 2001: Best Lead Actress.

á    9 Leo Award nominations, 2001: including Best Picture, Best Director.

á    Jury Prize, Special Mention, Best Feature Film & Best Actress, 2001 Ourense Independent Film Festival

á    Best First Feature, Victoria Independent Film & Video Festival, February 2001

á    Vancouver Film Critics Award for Best Canadian Indie Feature, 2001

á    Silver Platter, Figueira da Foz Film Festival, Portugal, 2001

á    Opening film, Canadian Images, Vancouver International Film Festival, Sept. 2000

 

 

Fine-cut Editor, Watching Mrs. Pomerantz (20Õ; comedy-drama; 16mm)	1999/11/28 - 1999/12/10
Production Company: Rendez-vous Films	Avid Film Composer
Director: Steve Rosenberg	Days worked: 4

á     Best Direction, Toronto WorldWide Short Film Festival, 2000

á     National broadcast, Canadian Reflections, CBC, 2001

á     http://www.steverosenberg.ca/?p=53

 

Editor, Huck (15Õ; promo for 1 hr doc; sports; betacam & DV)	1999/06/09 - 1999/06/18
Production Company: SnowMotion	Media 100
Director: Scott Fulmer.Ê	Days worked: 10

 

Additional Editing, Ten Years Old (Music Video - Kim Stockwood; 16mm)	1999/03/04 - 1999/03/08
Production Company: Toolshed/Aviator Productions	Avid Media Suite Pro
Director/Editor: William Morrison.Ê	Days worked: 2

 

 

Editor, Reverb (1 hr;Ê Pilot - Pop-culture Variety Show; DV)	1998/02/05 - 1998/04/31
Production Company: Tactile Images	Avid Xpress
Producer: Mehdi Ali.Ê Co-editor: William Morrison.	Days worked: 20

 

 

Editor, Labour Day Fair (Music Video - Brock Davis; 16mm)Ê	December/1997
Director: Billy Chapman.Ê	D/Vision Pro
	Days worked: 6

 

 

Editor, Marlboro City Ê(23Õ student film; comedy-drama; 16mm)	1991/09/01 - 1992/05/01
Production Company: Minus Blue Productions	Steenbeck flatbed
Director: Michael Brockington	Days worked: 60

á    Norman Mclaren Award, best film, Canadian Student Film Festival, 1992.

á    Gold Award, best undergraduate film, WorldFest-Charleston, 1993.

á    Honorable Mention, Columbus International Film & Video Festival, 1993.

á    Broadcast on KCTS Television Seattle, Sept. 1994.

 

 

Other Skills

 

IÕve written and directed a handful of short films (Marlboro City, Eat Truth, Static), shared writing and direction credits on a couple of variety shows (Reverb, Planet Aaj), and was co-director of The Edge of the World in 2010.Ê I was co-creator of the UNINTERRUPTED VR experience in 2022.Ê

 

I have done short stints as a camera operator, camera assistant, sound recordist, cinematographer, production manager and production assistant on various short independent & student films.Ê

 

In addition to writing film scripts and proposals for film and television, IÕve published fiction, articles and arts criticism in The Vancouver Sun, The Georgia Straight, Prairie Fire, The Vancouver Review, On-Spec, Space & Time, Aaj Magazine and elsewhere.

 

I have some background in electro-acoustic and tape-studio composition.Ê IÕve done a bit of promotional photography, and have had a solo exhibition of colour and b&w photography.

 

For several years I worked as a computer programmer in the area of Computer Vision, co-authoring a number of papers published in research journals and conference proceedings, 1992-98.Ê More currently, IÕve done a small amount of programming in python.Ê IÕm familiar with many common desktop computer applications, and have done some web design.

 

 

Education

 

Simon Fraser University, Burnaby, B.C.

Bachelor of Arts, 1993.Ê CGPA: 3.72

Major: Film Production.

Minors: Computing Science, English.Ê Certificate of Liberal Arts.

 

February 2006 Ð 2 day Master Class with Walter Murch, Vancouver.

 

Through the Cineworks Filmmakers Co-op, IÕve taken workshops on foley, sound design for composers, colour correction, ProTools, optical printing and film funding, as well as equipment orientations on the Arri SR-2 camera, and sound recording gear.Ê

 

I used to teach an introductory workshop for the Avid Film Composer at Cineworks, as well as occasionally providing one-on-one training.

 

Through Video In, IÕve done workshops on Post-production, non-linear editing, and equipment orientations for the Avid Xpress and Adobe After Effects.

 

 

Affiliations

 

á    IATSE 891 Permittee as Film/Video Picture Editor and 2^nd Assistant Picture Editor.

á    Member - Cineworks, Video In, Moving Images Distribution Society - Vancouver Film & Video Co-ops.