Michael Brockington
Film Editor
(604) 418-7437 á mbrock321 [at] gmail.com
Vancouver, BC
General
Picture Editor: 1995-present, mostly working on Avid until 2016, then Premiere.
Prior to 1995, I worked primarily on 16mm film, using Steenbeck
flatbeds.
IATSE 891 Permittee as both Film/Video Picture Editor and 2nd
Assistant Picture Editor.
Fluent on Avid, Adobe Premiere & Final Cut Pro.
Experienced with Photoshop, After Effects & Media Encoder; familiar
with Resolve, Keyboard Maestro, Unix scripting, and a long list of legacy
software, e.g. D/Vision, Media 100 & Discreet Edit.
Well-versed in a variety of formats and workflows – 4K+, HD, SD,
R3D, Phantom, film.
Awards
Gold Eddie (Canada-China
Film Festival), Best Film Editing,
Koneline, 2017
Leo Award winner, Feature
Drama: Best Picture Editing, Eve &
the Fire Horse, 2006.
Leo Award winner,
Documentary: Best Picture Editing, Island
of Shadows, 2001.
Nominations
Canadian Cinema Editors, Best Editing in
Documentary Feature, First We Eat,
2021
Canadian Screen Award nomination, Best
Editing in a Feature Documentary, Koneline,
2017
Leo Award nomination, Best Overall
Sound (Documentary), Uninterrupted, 2013.
Gemini Award nomination, Best
Documentary Picture Editing, Carts of
Darkness, 2009.
Leo Award nomination, Best
Documentary Picture Editing, Carts of
Darkness, 2009.
Leo Award nomination, Short
Drama: Best Picture Editing, The
Telescope, 2003.
Selected Credits
Installation
& Virtual Reality
Editor & Co-Creator, UNINTERRUPTED (30Õ travelling VR exhibition) |
2022/4/24 – 2022/3/11 |
Producers: Betsy Carson, Rae Hull, Nettie Wild |
Days worked: 89 |
Director: Nettie Wild |
Adobe Premiere, Unity |
á
Expanded VR version of our
outdoor projection spectacle from 2017, exhibited in multiple locations
throughout the Lower Mainland during the Summer of 2021
á
I acted principally as a
creative consultant, with some supplementary editing to expand & refine the
content.
Editor, UNINTERRUPTED (30Õ 8 projector installation, 8K) |
2016/5/16 – 2017/9/25 |
Producers: Betsy Carson, Canada Wild, Rae Hull |
Days worked: 289 |
Director: Nettie Wild |
Adobe Premiere |
á
Very large-scale, immersive
outdoor projection on the undercarriage of VancouverÕs Cambie Street bridge,
shows running 5 nights a week from June 24 – Sept 24, 2017
á
Gold DSE Apex Award, Best Projection in a Public Space, 2018
á
Bronze DSE Apex Award, Best Projection in an Immersive Space, 2018
á
CSC Experimental/Unique
Cinematography Award, 2018
á
https://www.canadawildproductions.com/transmedia/uninterrupted/
Editor & Sound Design, Uninterrupted (14Õ
multi-screen installation; HD) |
2011/11/18 – 2012/9/26 |
Producer: Tracey Friesen, NFB |
Days worked: 26 |
Director: Nettie Wild |
Avid Media Composer |
á 5-screen installation: 5 HD channels
projected in the windows of the Vancity Theatre, Vancouver International Film
Festival, Sept 27 – Oct 12, 2012
á Exploratory version of a longer project
á
Leo Award nominations, 2013: Best
Cinematography, Best Overall Sound.
á Stream: https://www.nfb.ca/film/uninterrupted/
Documentary
Editor & Sound Design, Roundup (3.5Õ experimental documentary; HD) |
2020/3/18 – 2020/10/27 |
Producer: Nicholas Klassen, NFB |
Days worked: 21 |
Director: Nettie Wild. Sound Designed with Nancy Tam. |
Adobe Premiere |
á Golden Sheaf Award nomination, 2021: Best Experimental Documentary, Yorkton Film Festival
á stream: https://www.nfb.ca/film/roundup/
Editor, First We Eat (103Õ veritŽ documentary; HD) |
2019/6/27 – 2020/8/6 |
Producer & Director: Suzanne Crocker |
Days worked: 158 |
Edited with Caroline Christie & Astrid Schau-Larsen |
Adobe Premiere |
á Canadian Cinema Editors nomination, 2021: Best Editing in Documentary Feature
á Rogers Audience Award, Hot Docs, 2020
á Best of Future Watch, Doc Edge New Zealand, 2020
Editor, Dance Screen (13Õ performance/documentary; 4K) |
2019/6/10 – 2019/08/19 |
Producer & Director: Helen Haig-Brown |
Days worked: 17 |
|
Adobe Premiere |
á
Rough-cut editor for selected scenes.
á
Not
yet released
Additional Editing, The New Corporation: the Unfortunately Necessary Sequel (105Õ documentary; 4K) |
2018/1/9 – 2018/10/11 |
Producers: Betsy Carson, Trish Dolman |
Days worked: 105 |
Directors: Jennifer Abbott, Joel Bakan |
Adobe Premiere |
á Involved in workflow design, assembly, and early rough-cut.
Fine-Cut Editor, Facing Sunrise (9Õ sponsored documentary; 4K) |
2017/11/23 – 2017/12/4 |
Producer: Yves J. Ma, MEC |
Days worked: 15 |
Director: Julia Kwan |
Adobe Premiere |
á Best Short Mountain Film, Banff Mountain Film Festival, 2018
á stream: https://www.youtube.com/watch?v=iJc3ZNLHl80
Editor, Koneline: Our Land Beautiful (96Õ veritŽ documentary; HD) |
2014/5/6 – 2016/1/4 |
Producer: Betsy Carson, Canada Wild |
Days worked: 335 |
Director: Nettie Wild |
Avid Media Composer |
á Best Canadian Feature, Hot Docs, 2016
á Best Canadian Documentary, Available Light Film Fest, 2016
á Audience Choice for Best Canadian Documentary, ALFF 2016
á
CSC Robert Brooks Award for Best Cinematography, 2016
á https://www.canadawildproductions.com/film/koneline/
Editor, Everything Will Be (85Õ veritŽ documentary; HD) |
2011/11/30 – 2013/8/1 |
Producer: David Christensen, NFB |
Days worked: 252 |
Director: Julia Kwan |
Avid Media Composer |
á Meilleur Espoir (New Talent) award
at the Montreal International Documentary Festival (RIDM)
á Festival premiere: Hot Docs, 2014
á Honourable Mention, Best BC Film Award, Vancouver International Film Festival,
2014
á https://www.nfb.ca/film/everything_will_be/
Editor & Additional Sound Design, Deepa Mehta In Profile
(6.5Õ profile; HD) |
2012/3/7 – 2012/3/30 |
Producer: Yves Ma, NFB |
Days worked: 18 |
Director: Nettie Wild |
Avid Media Composer |
á
Produced for the Governor GeneralÕs Award Ceremonies, 2012.
á
Leo Award nomination, 2013: Best Short
Documentary Program.
á Stream: https://www.nfb.ca/film/deepa_mehta_in_profile/
Editor, Bone Wind Fire (30Õ art-historical documentary; RED/HD) |
2010/11/15 – 2011/6/26 |
Producer: Yves Ma, NFB |
Days worked: 125 |
Director: Jill Sharpe |
Avid Media Composer |
á Best Historical Documentary, Northwest Emmy Nomination, 2014
á Best Short Documentary, Santa
Fe Independent Film Festival, 2012
á Best Documentary Short, Sonoma International Film Festival, 2012
á Best Canadian Film, FIFA / International Festival of Films on Art, Montreal, 2012
á Leo Award winner, 2012: Best Overall Sound.
á Other Leo nominations, 2012: Best Short Documentary, Screenwriting.
á Artistic Innovation Award, WIFTV Vancouver, 2012
á Notable screenings, 2012: Lincoln Centre, New York; Emily Carr House, Victoria; Georgia OÕKeeffe Museum, New Mexico.
á Stream: https://www.nfb.ca/film/bone_wind_fire/
Editor & Co-Director, The Edge of the World: BCÕs Early Years
(55Õ; historical/20 interstitials; DigiBeta) |
2009/06/03 – 2010/03/09 |
Producer: Red Storm Productions |
Days worked: 169 |
Director: Erik Paulsson |
Avid Media Composer, Adobe After Effects |
á
Premiere, Knowledge Network,
Aug 2010.
á Stream: https://www.youtube.com/watch?v=_mco6Z-6xCk
Editor, In Chinatown (7Õ experimental/historical documentary; REDcam/HD) |
2008/10/22 – 2009/01/23 |
Producer: Rina Fraticelli |
Days worked: 27 |
Director: David McIlwraith |
Avid Media Composer |
Editor, Carts of Darkness (63Õ; profile/extreme sports; HD) |
2007/06/12 – 2008/01/9 |
Producer: Tracey Friesen, NFB |
Days worked: 153 |
Director: Murray Siple |
Final Cut Pro |
á
Gemini Award nomination for Best Documentary Picture Editing, 2009.
á
Leo Award winner 2009: Best Documentary
(Nature/Environment/Adventure category.)
á
Other Leo nominations: Picture Editing, Direction,
Cinematography, Overall Sound, Sound Editing.
á
Festivals: Hot Docs (Toronto),
Vancouver IntÕl Mountain Film Festival, 2008.
á
Still one of the top 3 downloads at NFB.ca in 2010, 2 years after release.
á
Stream: http://www.nfb.ca/film/carts_of_darkness/
Editor, Bevel Up (45Õ veritŽ documentary, 3.5 hour educational DVD) |
2006/06/12 – 2007/02/12 |
Production Company: Canada Wild Productions |
Days worked: 125 |
Director: Nettie Wild |
Avid Xpress Pro |
á
Prism Award (US), best
original DVD
á
Media Award, American Academy of Nursing
á
BC Provincial Health OfficerÕs Award for Excellence in Public
Health
á
Premiere, Hot Docs (Toronto),
2008.
á
https://www.canadawildproductions.com/film/bevel-up/
á https://www.nfb.ca/film/bevel_up_drugs_users_and_outreach_nursing/
Editor, Symphony of Silence (22Õ; profile/arts; DV) |
2005/05/09 – 2005/07/05 |
Production Company: Firelight CineMa |
Days worked: 40 |
Director: William Eaton |
Avid Media Composer |
á 2 Leo Award nominations,
2006: Best Documentary, Best Sound
Editing, Arts/Performing Arts.
Editor, Web of Dissent (5Õ; promo for 1 hr doc; social justice; DV) |
2003/06/10 - 2003/06/30 |
Production Company: Red Storm Productions |
Days worked: 8 |
Director: Bruce Spangler. |
Final Cut Pro |
Editor & Motion Graphics, Reed (95Õ; biography; 35 mm & DV) |
2001/03/18 - 2009/01/25 |
|
Production Company: Roy Kiyooka Inc. |
Days worked: 180 |
|
Director: Fumiko Kiyooka. |
Avid Media Composer, Xpress, Adobe After Effects |
|
á This was a 95Õ reworking of a 45Õ piece. Edited with Fumiko Kiyooka, et al.
Rough Cut Editor, Access Challenge (58Õ; DV & beta-SP) |
2001/10/15 - 2001/12/10 |
Production Company: Fountain Productions |
Days worked: 44 |
Producer: Mehdi Ali. Rough cut edited with David Ozier. |
Final Cut Pro |
á
Silver Hugo, Social Issues & Human Relations, Chicago International
Film Festival, 2002.
Editor, Island of Shadows: DÕArcy Island Leper Colony, 1891-1924 (48Õ; historical; 16 mm & DV) |
1999/10/19 - 2000/03/06 |
Production Company: Red Storm Productions |
Days worked: 77 |
Director: Erik Paulsson |
Avid Media Composer |
á
Leo Award winner for Documentary, 2001: Best
Picture Editing, Best Director, Best Overall Sound.
á
Gemini Award winner: Best Make-up,
2001
á Additional duties: Special effects shots, motion control shots, main title design, using Adobe After Effects.
á Theatrical Premiere: opening film Asian Heritage Month. May 1, 2000, Vancouver.
á Vancouver Broadcast Premiere on VTV, Vancouver Television, May 4, 2000.
á National Broadcast Premiere on Vision, May 17, 2000.
á National Broadcast on CTV, July 18, 2000.
Editor, Huck (15Õ; promo for 1 hr doc; sports; betacam & DV) |
1999/06/09 - 1999/06/18 |
Production Company: SnowMotion |
Days worked: 10 |
Director: Scott Fulmer. |
Media 100 |
Feature Drama
Editor, Eve and the Fire Horse (92Õ; drama; 35mm from super-16) |
2004/07/27 – 2004/11/24 |
Production Company: Golden Horse Productions |
Days worked: 75 |
Director: Julia Kwan |
Avid Media Composer |
á
Leo Award winner, 2006: Direction, Screenwriting, Picture
Editing, Sound Editing, Production Design.
á
Leo Award nominations, 2006: Female Supporting
Performance, Overall Sound.
á
Best Canadian Film & Most Popular
Canadian Film, Calgary
Film Festival, 2005
á
Premiere
at Toronto International Film Festival, 2005.
á
Other
festivals: Austin, San Francisco, Maine, Chicago, Pittsburgh, Los Angeles,
Seattle, Karlovy Vary.
á
Theatrical
Canadian release, 2006: Vancouver, Toronto, Edmonton, Winnipeg. Calgary,
Mongrel Media.
á
http://www.mongrelmedia.com/index.php/filmlink?id=59b8d559-6c39-48b3-8d75-945b7e6c4e27
Editor, On the Corner (90Õ; drama; 35mm from Digital Betacam) |
2002/10/16 - 2003/02/28 |
Production Company: On the Corner Productions |
Days worked: 86 |
Director: Nathaniel Geary |
Avid Media Composer |
á
6 Leo Award nominations, 2004: Screenwriting, Cinematography, Male Supporting Actor, Female Supporting
Actor, Sound Editing, Production Design.
á
Premiere
at Toronto International Film Festival, 2003.
á
Included
in CanadaÕs Top Ten for 2003.
á
Best
Western Canada Feature Film, Vancouver International Film Festival, 2003
á
Other
2003 festival screenings: Halifax, Whistler (Best Canadian Film), Calgary.
á
2004
festival screenings: Mannheim-Heidelberg, Germany (Special Jury Prize); Cinema
Jove – Valencia, Spain (Golden Moon); Bogota, Columbia (Bronze
Pre-Columbian Circle); Gšteborg, Sweden.
á
Presales
to Showcase, The Movie Network & Movie Central.
á
Theatrical
release: June 2004, Vancouver and Toronto, TVA Films.
Editor, Protection (80Õ; drama; 35mm from 16mm) |
1999/05/27 - 2000/06/19 |
Production Company: Thoughtcrime Productions & Red Storm Productions |
Days worked: 83 |
Director: Bruce Spangler. Co-edited with Luis Lam. |
Avid Film Composer |
á
Genie
Award nomination,
2001: Best Lead Actress.
á
9 Leo
Award nominations, 2001: including Best
Picture, Best Director.
á
Jury
Prize, Special Mention, Best Feature Film & Best Actress,
2001 Ourense Independent
Film Festival
á
Best
First Feature,
Victoria Independent Film & Video Festival, February 2001
á
Vancouver
Film Critics Award for Best Canadian Indie Feature, 2001
á
Silver
Platter, Figueira da
Foz Film Festival in Portugal, 2001
á
Official
Competition, Montreal World Film Festival, August 2000
á
Opening
film, Canadian Images, Vancouver International Film Festival, Sept. 2000
á
Presales
to: CITY TV, Superchannel, The Movie Network
Episodic
Editor, Alienated II (half-hour series; sci-fi comedy; Digital Betacam) |
2003/09/17 - 2004/05/11 |
Production Company: Brightlight Pictures |
Days worked: 149 |
Writer/Director/Producer: Mark Sawers |
Avid Media Composer |
á
Production
editor - first cut of all 11 episodes for season 2.
á
Sole
editor for episodes 201-205 & 209.
á
Episode
210 edited with Gareth Scales.
Episode 211 edited with Luis Lam.
á
Broadcast
on Space: the Imagination Station, and the New VI.
á
https://www.brightlightpictures.com/project/alienated
Short Drama
Editor, The Old Woman in the Woods (25Õ; drama; HD) |
2011/6/22 – 2011/9/25 |
Producer: Diana Wilson |
Days worked: 35 |
Director: Caroline Coutts |
Avid Media Composer |
á
7 Leo Award nominations,
2013: Best Short Drama, Direction, Female Performance,
Screenwriting, Sound Editing, Musical Score, Production Design.
á
Golden Sheaf Award nomination, Drama – Yorkton Film Festival, 2013.
á
Silver Remi Award – 46th WorldFest-Houston, Dramatic –
Adaptation / Independent Shorts.
Editor, Smile (17Õ; drama; super-16) |
2007/04/01 – 2007/04/18 |
Production Company: Fire Horse Productions & Firelight CineMa |
Days worked: 15 |
Director: Julia Kwan |
Avid Xpress Pro |
á Sundance Film Festival, 2008
á
Premiere, Toronto International
Film Festival, 2007. Other
Festivals: Vancouver, Whistler, Calgary, Los Angeles, San Francisco, 2007. Halifax, San Diego, Hawaii, 2008.
á
2 Leo Award nominations, 2007: Best Female Performance.
Editor, Vannica (18Õ; drama; super-16) |
2001/07/12 - 2002/02/26 |
Production Company: Rendez-vous Films |
Days worked: 13 |
Director: Steve Rosenberg |
Avid Film Composer |
á
Festival Screenings: Palm
Springs, 2002.
á
http://www.steverosenberg.ca/?p=50
Editor, The Telescope (22Õ; drama; 35mm, 16mm & super-8) |
2001/06/28 - 2001/09-30 |
Producer: Andrea Bastin |
Days worked: 17 |
Director: Jessica Bradford |
Avid Film Composer |
á
4 Leo Award nominations, 2003: Picture
Editing, Overall Sound, Production
Design, Female Performance.
Fine-cut Editor, Watching Mrs. Pomerantz (20Õ; comedy-drama; 16mm) |
1999/11/28 - 1999/12/10 |
Production Company: Rendez-vous Films |
Days worked: 4 |
Director: Steve Rosenberg |
Avid Film Composer |
á
Best Direction, Toronto WorldWide Short Film
Festival, 2000
á National broadcast, Canadian Reflections, CBC, 2001
á http://www.steverosenberg.ca/?p=53
Editor, Marlboro City (23Õ student film; comedy-drama; 16mm) |
1991/09/01 - 1992/05/01 |
Production Company: Minus Blue Productions |
Days worked: 60 (est.) |
Director: Michael Brockington |
Steenbeck flatbed |
á
Norman Mclaren Award, best film, Canadian Student
Film Festival, 1992.
á
Gold Award, best undergraduate film, WorldFest-Charleston,
1993.
á
Honorable Mention, Columbus International Film
& Video Festival, 1993.
á Broadcast on KCTS Television Seattle, Sept. 1994.
Performance &
Music Video
Editor, Klavierklang (14.5Õ; experimental music video; 4K) |
2021/10/10 – 2022/3/31 |
Producers: Hildegard Westerkamp & Rachel Kiyo Iwaasa |
Days worked: 22.5 |
Director: Nettie Wild. |
Adobe Premiere |
á Production ongoing.
Editor, A Cup of Wine (6.5Õ; dance; 35mm & Genesis HD) |
2010/07/20 – 2010/04/27 |
Production Company: Rhodopsin Productions |
Days worked: 21 |
Director: Daniel Conrad. |
Avid Media Composer |
Editor & Post-super, The Rushing of Time (2.5Õ; dance; 35mm & XDcam) |
2009/11/02 – 2009/11/18 |
Production Company: Rhodopsin Productions |
Days worked: 6 |
Director: Daniel Conrad. |
Avid Media Composer |
á Produced for the Cultural Olympiad Digital Edition
Post-production Supervisor, Aboard the Pater Noster (16Õ & 24Õ versions; dance; 35mm) |
2007/12/08 - 2008/01/29 |
Production Company: Rhodopsin Productions |
Days worked: 5 |
Director: Daniel Conrad. . |
Avid Xpress Pro |
Editor, Afternoon of the Chimeras (16Õ & 24Õ versions; dance; 35mm) |
2005/09/19 - 2005/10/21 |
Production Company: Rhodopsin Productions |
Days worked: 23 |
Director: Daniel Conrad. . |
Avid Film Composer |
Editor, 6 Possibilities (12Õ & 24Õ versions; dance; 35mm) |
2002/08/29 - 2002/10/15 |
Production Company: Rhodopsin Productions |
Days worked: 34 |
Director: Daniel Conrad. . |
Avid Film Composer |
á
National Broadcast Premiere on
CBC, Opening Night, Jan 16, 2003.
Editor & Motion Graphics, Avalon (5Õ; Music Video; 16mm) |
2002/07/22 - 2002/08/03 |
Production Company: Red Storm Productions |
Days worked: 15 |
Director: Bruce Spangler. Artist: Lori Pappajohn. |
Media Composer, After Effects |
á
National Broadcast on Bravo,
2002.
Editor, Subways (12Õ & 24Õ versions; dance; 35mm & DV) |
2001/08/02 - 2001/08/20 |
Production Company: Rhodopsin Productions |
Days worked: 21 |
Director: Daniel Conrad. Edited with Manfred Becker. |
Avid Film Composer |
á
National Broadcast Premiere on
CBC, Opening Night, 2002.
á
Dagmar & Vaclav Havel
Prize, Golden Prague Film Festival, 2002
á Other festival screenings: Montreal World Film Festival; Valladolid, Spain; Palm Springs; Denver;.
Additional Editing, Ten Years Old (Music Video - Kim Stockwood; 16mm) |
1999/03/04 - 1999/03/08 |
Production Company: Toolshed/Aviator Productions |
Days worked: 2 |
Director/Editor: William Morrison. |
Avid Media Suite Pro |
Editor, Reverb (1 hr; Pilot - Pop-culture Variety Show; DV) |
1998/02/05 - 1998/04/31 |
Production Company: Tactile Images |
Days worked: 20 |
Producer: Mehdi Ali. Co-editor: William Morrison. |
Avid Xpress |
Editor, Labour Day Fair (Music Video - Brock Davis; 16mm) |
December/1997 |
Director: Billy Chapman. System: D/Vision Pro |
Days worked: 6 |
Other
Editor, Global Mafia; Israel/Gaza (15Ó and 60Ó spots;
subvertising; HD) |
2010/10/25 – 2010/10/28 |
Producer: Adbusters |
Days worked: 3 |
Creative Director: Kalle Lasn |
Avid Media Composer, Adobe After Effects |
Other Skills
IÕve written and
directed a handful of short films (Marlboro
City, Eat Truth, Static), shared writing and direction
credits on a couple of variety shows (Reverb,
Planet Aaj), and was co-director of The Edge of the World in 2010.
I have done short
stints as a camera operator, camera assistant, sound recordist,
cinematographer, production manager and production assistant on various short
independent & student films.
In addition to
writing film scripts and proposals for film and television, IÕve published
fiction, articles and arts criticism in The
Vancouver Sun, The Georgia Straight,
Prairie Fire, The Vancouver Review,
On-Spec, Space & Time, Aaj Magazine and elsewhere.
I have some background
in electro-acoustic and tape-studio composition. IÕve done a bit of promotional
photography, and have had a solo exhibition of colour and b&w photography.
For several years
I worked as a computer programmer in the area of Computer Vision, co-authoring
a number of papers published in research journals and conference proceedings,
1992-98. IÕm familiar with many
common desktop computer applications, and have done some web design.
Education
Simon Fraser
University, Burnaby, B.C.
Bachelor of Arts,
1993. CGPA: 3.72
Major: Film
Production.
Minors: Computing
Science, English. Certificate of
Liberal Arts.
February 2006
– 2 day Master Class with Walter Murch, Vancouver.
Through the Cineworks Filmmakers Co-op, IÕve taken
workshops on colour correction, ProTools, optical printing and film funding, as
well as equipment orientations on the Arri SR-2 camera, and sound recording
gear.
I used to teach
an introductory workshop for the Avid Film Composer at Cineworks, as well as occasionally providing one-on-one training.
Through Video In, IÕve done workshops on
Post-production, non-linear editing, and equipment orientations for the Avid
Xpress and Adobe After Effects.
Affiliations
á
IATSE 891 Permittee as Film/Video Picture Editor and
2nd Assistant Picture Editor.
á
Member - Cineworks,
Video In, Moving Images Distribution
Society - Vancouver Film &
Video Co-ops.
References
Nettie
Wild ¥ Director, Koneline; UNINTERRUPTED ¥ nbcwild [at] gmail.com
Betsy
Carson ¥ Producer, Koneline; UNINTERRUPTED ¥ carson [at] smartt.com
Julia Kwan ¥ Director, Eve
and the Fire Horse ¥ firehorsemail [at] gmail.com
Bruce Spangler ¥ Director, Protection
¥ spangler.bruce [at] gmail.com
Erik Paulsson ¥ Writer/Director/Producer, Island of Shadows ¥ eapaulsson [at] gmail.com
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